A Woman Who Doesn’t Have to Fit In

A Guest Post by wordssetmefreee

Khoobsoorat – Movie Review

(Warning – Spoilers, lots of them)

When my niece recommended I watch this film, I was skeptical. It sounded like a predictable Bollywood romance, replete with beautiful sets, fine costumes and jewelry, one dimensional characters with very little subtlety, and situations that are too easily resolved, usually through the use of lectures and bit of melodrama.

It turned out to be some of the above. But despite these predictable traits, the movie surprised me.

The Protagonist

What I liked about the film is of course the protagonist Mili (Sonam Kapoor). Or rather, I came to like her. Cautiously. Gradually.

Mili is silly, irritating, and clumsy. She puts up her feet on the dashboard, drinks from the wine bottle, and eats messy food with her hands. She takes selfies of herself everywhere. I thought, “And THIS is what they call ‘spontaneous/bubbly’?” I rolled my eyes.

But over the course of the film, Mili emerges as a woman who likes herself and is not excessively concerned whether others approve of her or not.

She is very good at what she does (physiotherapy) and she does it unconventionally and with lots of heart thrown in.

Mili has had 3 breakups so far (shown funnily in a little flashback) and even though she’s just had it with men for a while, she hasn’t had it with life. In fact, she’s enjoying life more than usual, with the complications of a relationship removed.

Mili dares to dream. She isn’t overly awed by Prince Vikram’s wealth or class. At first she’s attracted to him, and then she begins to like him when she sees his human side. As she finds herself becoming closer to him, her only worry is that he is engaged. Never once does she feel he is “unreachable”. It’s as if she’s always seen him as an equal, as another human being. She conveys an easy, natural sense of self-worth here.

Supporting Characters

Another pleasant surprise – there are two other strong female characters in the film – the Maharani, Vikram’s mother, played by Rathna Pathak, and Manju (played by Kirron Kher), Mili’s kick-ass, Punjabi mom. Both characters were portrayed reasonably well. Power does not make the Maharani evil and being middle class does not make Mili’s mom servile.

The Maharani, although strict and rule bound, never raises her voice or gets abusive as befitting her classy background. Her bossiness is restrained, her dismissals aloof, her rebuttals are often polite, and her language is impeccably clean. And there are layers to her. You can understand that she needs to be authoritarian in order to run such a large estate, several businesses, and keep an army of staff running smoothly. You also sense she is protective of the wheelchair-bound Maharaja. She will not let anyone cross the wall he has built around himself. She fears that it could be devastating to him. Gradually, their previous relationship is revealed. How they played polo and tennis together. How the Maharani had love and friendship and playfulness from her husband before one tragic incident brought their lives to a screeching halt. Theirs was (and is) an equal marriage, a rarity among older (or even younger?) Bollywood characters.

As a foil to the Maharani’s character is Manju, Mili’s mom – loud, bull dozer like, and calls a spade a spade. You can tell where Mili gets her guts and a bit of craziness from. Manju often advises her daughter to “go get “em” if she needs to and to “not take any crap from the guy’s family”. That really made me laugh with happiness!:)

And now, coming to the male lead – Prince Vikram played by Fawad Khan. The actor is smoky handsome and sexy (I can see why my niece was so hooked on this movie now:). When I say sexy, I don’t just mean his physical attributes. I think people who are good looking in an empty sort of way are seldom sexy. He has what attractive men and women have – an air of mystery, a certain aloofness, quiet confidence that doesn’t require loudness or aggression, a reluctance to easily reveal himself and yet he does so in vulnerable moments. And when he does reveal himself here and there unintentionally, you like what you see.

When Mili accuses him of not joining the party with the servants because he has to maintain his distance/status, he replies, “Yeah …. something like that.” He doesn’t deny that the class gap exists and he doesn’t have all the answers. And then adds, “or perhaps, they (servants) would prefer it that way (him not joining their fun).”

He is puzzled by Mili’s craziness. He is befuddled by her impulsiveness. He is wary of her inclination to say things without a filter. He is jolted by her tendency to act on whim, without the slightest though to consequences.

But when he watches his mother’s reaction to Mili’s wackiness, he is secretly amused. All of his emotions were subtly conveyed – a raised eyebrow, a shrug, a warning look, a little hesitation, a tensing of the shoulders, a bit of subtle sarcasm, or some delicate rephrasing of an otherwise crass situation.

There is great chemistry between the two characters. In both the kissing/hugging scenes, they are BOTH drawn to each other, the feeling is mutual, and Mili as the woman is a willing partner, and once she is also the initiator.

Vikram finds himself reluctantly but helplessly drawn to Mili, despite his rational understanding of the volcano he’s walking into. Mili, on the other hand, true to her character, courts fire, and gives no thought to the consequences.

Humor

There are several funny moments – some everyday situations, some contrived. When Mili asks people from the royal family to join her skype call with mom, her mother puts on a sweet smile, but once they leave, blasts Mili for doing this to her when “she’s cutting onions and sweating in the kitchen”.

When the kidnappers tell Mili they’re just getting started with their ransom “business” and she’s their first victim, Mili who is now high on something, says, “I get it. I remember being excited too – when I got my first client.”

Mili’s breakups are funny – one is with a clueless guy who has found his soul mate in another clueless girl. Another guy is just someone who couldn’t handle Mili’s feet on his dashboard anymore.

And Vikram’s use of “hum” (we) to refer to himself are greeted by irreverent Mili (and her mom) with a “Who the heck is We?? Hello?? I see only one person here!”

I chuckled when the Maharani (upon being confronted in the middle of the night by Manju) says with lovely poise, “I’m sorry but I need my 8 hours of sleep. Can we discuss these “interesting” theories of yours in the morning?”

Room for Improvement

I thought they could’ve balanced out Mili’s character a bit – she doesn’t ALWAYS have to be smiling or ALWAYS have to drop things – we get it – she’s a fun gal and a tad clumsy. But when Vikram tells her they cannot share a future because they are so different, Mili hardens and softens at the same time. She looks at him both angrily and sadly and says, “I agree.” This is where her character looks more complete, more multi-dimensional. I wish there were a few more of these contemplative moments for Mili.

The confrontation between the moms was unnecessary and Manju’s pettiness and arguing to the bitter end dragged down the last part of the movie a bit.

I also thought the Maharaja’s situation was resolved a bit too simplistically. While I appreciate Mili’s determination to do her job as a therapist and her efforts to bring fun back into his life because she believes it will help him recover, I wish she never explicitly TOLD him he is stuck at the time of the accident, and needs to start living again. I wish she had trusted his capacity for self-direction. And I wish he had taken that first step forward himself, with her support.

The Ending

Loved the ending though! It is the royal family that learns to relax and adapt to Mili’s crazy ways rather than Mili changing herself to fit into the clan’s honored traditions. This is not shown explicitly but implied through the Maharani’s humorous acceptance of Mili and the last credits song.

The movie is based on an older film of the same name starring Rekha. And it does have shades of the Sound of Music. I’m not sure if it passes the Bechdel test but overall, I confess I enjoyed this movie. Charming characters, three strong women, one dashing prince, a hauntingly beautiful palace, and lots of heart make this a warm, pleasant ride. Did you like it? Let me know what you think!

Advertisements